Asian American Still Life Artist Statement
The Eurocentric art tradition of still life has a long history of appropriating elements from cultures that it considered “exotic”while maintaining authoritative artistic dominance on the practice. In response, Asian American Still Life is an on-going project that claims space in this venerated tradition for Asian American cultural experiences, directly from an Asian American perspective. The project creates an overdue dialogue between the symbology of Eurocentric still life style with that of Asian traditions. At their core, European still lifes are preoccupied with themes examining the human condition: life, death, vice, artifice, belonging. These themes are by no means unique to Europe, and parallels emerge in my own Asian American cultural history: austerity in Confucianism, the cyclicity of life in Buddhism, the limits of assimilation in the US.
Each still life is carefully constructed in the studio using a rich tableau of food, found objects, and thematic flora and fauna, with nuanced yet colorful outbursts that upend the Protestant seriousness of the Dutch still lifes that the images mimic. On a personal level, the series features familiar home comfort foods from my own upbringing as a Taiwanese-Chinese American—foods that are derided as “strange” in the United States but hold quotidian significance in Chinese culture (see “Midautumn Memento Mori”, “Dad’s Favorite”, “Pantry Exotics, 1”). At the same time, the series questions the ideals of the nostalgic “All-American” experience as a daughter of immigrants,asking to what extent an immigrant experience can dovetail with notions of Americanness (see “Hansel&Gretel”, “Flower Brick”). On a community level, I partner with Asian American small business owners, chefs, and agriculturists throughout the series, foregrounding their food practices that make up the now multicultural culinary landscape that pervades California (see “Brueghel’s Breakfast”, “Still Life with Ube”, “Spring”, “Eat Bittersweet”). These partnerships have allowed me to present perspectives and lived experiences from the numerous cultures and countries that feed the otherwise monolithic label of“Asian American.”
Artist Bio
Stephanie Shih (史欣雲) is a visual still life artist, known for her painterly use of shadow applied to playful perspectives on food. Shih started making photographs with her dad's half-frame camera on childhood road trips, but only took up photography seriously later in life while in graduate school. At the time, she moonlighted as a wedding cake maker, and translating the fantastical experience of food to the visual image has been a driving throughline of her work ever since.
As a second generation Taiwanese-Chinese American, Shih explores themes of contemporary and historical cultural dynamics of the diaspora through her still life creations. Shih's work has been exhibited in solo and group shows at venues including Hashimoto Contemporary (LA), Griffin Museum of Photography (Boston), USC Pacific Asia Museum (Pasadena), and The Royal Photographic Society (UK). Shih's photography has been featured in outlets including 7x7, Elle Girl Korea, Gastronomica, Bloomberg Businessweek, Buzzfeed, and Los Angeles Times.
Shih is from the San Francisco Bay Area and currently lives and works in Los Angeles. When not in the studio or kitchen creating, she is a professor at the University of Southern California.
Press
(2022) "Food, Art, and Identity in Hashimoto Contemporary's 'Potluck' Group Show" by Julie Wolfson. Cool Hunting. 17 Feb.
(2022) "This Former Food Blogger's Still Life Photos Showcase Asian American Experiences Through Art" by Pia Peterson. Buzzfeed News. 2 Feb.
(2021) "Focus on still life: Stephanie Shih: Asian American Still Life" by Aline Smithson. Lenscratch. 2 Nov.